The Military in Art

The word propaganda has come to prolong sinister overtones though this was not always the case. Propaganda today evokes images of sinister lies and obfuscations told by enemies of the state to sway the minds of the citizens. Yet in a larger sense all art is propaganda to some degree and military art is propaganda on a grand scale. Art is designed to cause an emotional response in the viewer. Throughout history artists have served the state, willingly or not so willingly, in an effort to further the aims of the government, be it republic or clan of elders. Those belongs of art that are most effective are those that hit the viewer unreasoningly and cause a response that is near equal to the actual event being depicted in the art work. The works mentioned here are like that.I served in the United States Air press for six years as a military policeman. I have traveled to Saudi Arabia, capital of Kuwait and Korea. I have seen artwork that has evoked emotion in me and I have seen art th at was rightfully representational of the events I have seen. James Dietz work, I Shall Defeat Them on the Battlefield, can be undercoat as a limited edition print from the online gallery of the artist. The image size is 36 x 21.5 . It depicts the United States Army 75th Ranger Unit on the ground. This unit remains the Armys premier special operations force capable of conducting a full spectrum of operations to include operate action raids and forced entry operations (JamesDietz.com).Dietz depicts an action scene in a dim setting. In the background is the skyline of a city that was ancient in the days when Christ walked the lands of the Middle East. The contemporary warriors, carrying firearms and dressed in body armor seem incongruent beneath the palms and the domed edifices creating the negative post in the lower portion of the sky. An automobile is in the streets where camels would seem more at home, juxtaposed in contrast to the ancient city and the modern warriors, signify ing a delivery system of enemy fire.First Boots on the Ground, by William Phillips, is now available as a limited edition print, measuring 31 x 19 . It is a classic scene from the Viet Nam era, featuring a sky filled with helicopters and reminiscent of Apocalypse Now. The work depicts the 1965 battle of La Drang Valley, famous for its intensity. At 1048 the helicopter touches mickle, and Lt. Col. Moore, Sgt. Major Plumley, Capt. Metsker, Bob Ovellette, Al Bosse and Vietnamese translator Mr. Nik become the first boots on the ground at La Drang (OzarkAirFieldsArtworks 2005).This art is obligate and personal to me for it depicts the ultimate in warfare, that time when the soldier commits and becomes a weapon aimed at the heart of the enemy. He has left the relative safety of the helicopter. He no longer is behind the line depending on gunslinger or mortar fire, but rather advances, putting his life on the line as he moves inexorably toward the opposing warrior.Charlene Coopers movin g artwork, titled with the acronym B.O.M.B., signifying Blood of My Brothers, is a drawing in graphite and colo sanguine pencil. The intense blue of the flag is complimented by the red of the tear streaming down the face of the warrior. It appeals to me for reasons that would be clear to most combat veterans, as it shows the side of a soldier seldom seen or discussed openly.The man holds a folded American Flag as that single tear, executed in the red of blood, is seen to escape his eye. He shows the pent up emotion which soldiers rarely display and gives the viewer the understanding that he is a flesh and blood creature, endowed with all the sentiment and feeling of any other man. He is proud of the job he has done, but keenly aware of the price that was ultimately paid by so many of his friends and compatriots. I find Coopers work the most compelling of these three, for it appeals to a side of me that is most often hidden from the view of others.It touches me in a place where I am alone with my feelings and appeals to me on a spiritual level. Even her choice of title is compelling, bringing to the piece a thought-provoking message that transcends the art and gives the viewer ideas that there is more to the piece than what appears on the surface, making it multi-leveled and multi-dimensional. works CitedArtwanted.com 2007 B.O.M.B. (Blood of My Brothers) Retrieved 10-8-2007From http//www.artwanted.com/imageview.cfm?id=458010JamesDietz.com 2007 I Shall Defeat Them on the Battlefield Retrieved10-8-2007OzarkAirFieldArtworks.com 2005 First Boots on the Ground Retrieved 10-8-2007 from http//www.ozarkairfieldartworks.com/firstbootsontheground.html.